WEBVTT
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Hello and welcome to no Wrong Choices.
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I'm Larry Samuels, soon to be joined by Tushar Saxena and Larry Shea.
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This episode is part two of our conversation with the highly respected play-by-play commentator, ian Eagle.
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Ian is known for his work as the lead voice of the NCAA Men's College Basketball Tournament on CBS and coverage of the NFL and NBA.
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In episode one, we explored the evolution of Ian's career dreams, his creative family roots and how he broke into the business.
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Now we'll dig into how he hit the big time, the importance of teamwork and the emergence of the Eagle family legacy, as his son, noah, is a rising star in the business as well.
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Ian also provides great advice for any young broadcaster hoping to break into the business.
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We'll pick things up with Larry Shea asking Ayan about the importance of being a good listener, which proves to be a perfect setup for the Ayan Eagle that I love to hear on a broadcast.
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I often think about an announcer what are they going to say?
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Whereas I think it might be more important to listen to your partner and working with them, in a way.
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How important is the listening aspect?
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Because you're the king of working off of something they say, whether it be innocuous or not, and making it hilarious or interesting or sarcastic, like you said.
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So how important is that aspect of it rather than what am I going to say next?
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I'm sorry, larry, I didn't hear your question.
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Perfect Perfect.
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And there it is Well done.
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No, it's the secret back to Mike and the Mad Dog in many ways and their ability to have natural chemistry.
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Their styles just worked.
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There was a yin and yang to what they were doing, mundane Wednesday afternoon, to find something, some grain of gold, that then they turned into a masterpiece of radio.
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So that year 1992, being intimately involved, I also was Chris's chauffeur for the year because I lived on the Upper East Side, he lived midtown.
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I drove him home every day for a year.
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So you're getting a different level of relationship when you're now with someone an extra 35 minutes at the end of your day, going over the 59th Street Bridge and shooting the breeze and getting into personal stuff, not just radio but real personal.
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So I got to know the human and Mike was great to me as well.
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I got to know him on a human level and I do think it played a role in how I ended up working with analysts.
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I had a eureka moment when I got that jet job.
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So it's 1993.
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I'm 24 years old, I've been handed the keys to a very important new part of the radio station, which is New York Jets football, and I'm told that my co-host for the pre and post game will be Freeman McNeil, the former Jets running back, who, just as an aside, was my favorite Jet growing up, so you just have that in and of itself.
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By the way, I did a show called Friday Night Hoops the year before for FAN, and my co-host was Bernard King happened to be my favorite basketball player growing up.
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So when you're put in these positions at a young age and they are the neophytes in radio and they're leaning on you, I realized very quickly that I had to take on an ownership role in the relationship.
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But that also meant making them look good.
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So I'm going to clean up the story.
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But Freeman McNeil the first time I meet him is the first pregame that we're doing for the preseason, so it's the first broadcast.
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He comes to the studio, the Jets are on the road.
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He comes to the studio two hours before the game, so we have about an hour to get to know one another and we just chat.
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We have a lovely conversation about his wife, his kids, about his post-playing career.
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Couldn't have gone any better.
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After about an hour I excuse myself.
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I tell him hey, I need to go in the other room just prepare some notes for the show.
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I'll come and get you when we're about 15 minutes out, great.
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So I leave Rumi McNeil in the back.
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I go, do my stuff.
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I grab him.
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We now go into the main studio.
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We're sitting there.
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It's 10 minutes to the top of the hour.
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It's five minutes to the top of the hour.
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I'm nodding at him.
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He's not.
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He has zero experience.
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He has never done anything in media.
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It's now one minute until the top of the hour when the show is going to start.
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It's my first show, as well as the host of Jets pre and post game, and again I'm just going to clean it up.
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I said you good?
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He said yeah, yeah, yeah.
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He said hey one thing.
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I said yeah, forward op says 45 seconds.
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He says don't screw me here Cleaning it up.
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I said what he said you know, don't screw me here.
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I said no, no, no, freeman, I'm not going to screw you, I'm going to make you look good.
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And he smiled.
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I said we're going to do really well here.
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I said everything that we were doing in the other room we're going to do here.
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He went okay, yeah, yeah, perfect, and that was it.
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And I realized in that moment this is a guy that played in the Rose Bowl in the NFL high level in front of 75,000 people, 100,000 people, in his college days.
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But in this moment, 30 seconds before going on air, he was uncomfortable.
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Yeah.
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And it was my job to make him comfortable and that really hit home for me and I've taken that with me for the rest of my career.
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When I'm working with new partners, old partners, that's the job.
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The job is to make that person comfortable so they can do their best work, and it's your job to be malleable.
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I can't force someone to go along with the humor if they're not humorous, so pull back, don't do that.
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I can't force someone to talk strategy.
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If they're not comfortable talking strategy, fine, we'll find another way.
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X's and O's player backgrounds, biography If they're not into it, it's not my job to force them.
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It's my job to find what they are comfortable with and really highlight that part of their personality.
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You know, when I think about Freeman being nervous going into that first broadcast, it made me think about your first broadcast with the Nets doing play-by-play.
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That moment.
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What were your emotions walking into that building that day?
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The game was in Houston and the Rockets were getting their championship rings.
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I was working with Michael Corrin, who could not have been a nicer human being and a better person to work with Terrific.
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He was just as perfect a partner as I could have been possibly paired with in that time.
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He was a former net, played a little bit with the Washington Bullets.
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He was a star at North Carolina, New Jersey, guy from Jersey City through and through and, by his own admission, not a polished media guy, but he was himself and he came through.
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A polished media guy, but he was himself and he came through.
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So we sit down now we're going to call the game in Houston and we've got an engineer.
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He's got really old equipment and I put the headset on and it's not comfortable and I just reminded myself hey, this is what you've worked towards, this is your opportunity.
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I'm doing this in relative anonymity.
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The Nets were certainly not getting big ratings and on radio at that time I'm not sure people even knew where to find them.
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They were on 1560 AM, if I remember correctly.
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Wow.
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Were you on WPAT at the time.
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I think it was also on selected radio stations throughout New Jersey.
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Wpat was one of those.
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There was the station out in the Rutgers area.
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I have the information back here.
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In fact I could get it right now.
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I have it framed.
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I'm not joking of the press release that came out with the.
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In fact I could get it right now.
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I have it framed.
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I'm not joking of the press release that came out with the Nats.
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I could give the whole radio network.
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It was five of them in New Jersey, so New Brunswick was one of them.
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And I just reminded myself hey, do your thing, you're going to be able to pull this off and we're about five minutes from air and I realize they're going to do the ceremony now and we have a pre-game show that we have to do.
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David stern is there and I turned to the engineer.
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I said hey, we're going to need you to to pot up pa.
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The public address announcer goes pa, this is in hou in Houston.
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I said yeah, yeah, pa, he goes.
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Oh, we don't have PA.
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I said so you don't have PA.
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He goes, we don't have PA.
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I said, okay, is there a way to get PA?
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He goes, can't get you the PA.
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So I look at Mike and Mike says don't worry.
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So I look at Mike and Mike says don't worry.
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Well, no, meanwhile we're talking and it's all happening.
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Thunderous applause, they're getting their rings Hakeem Olajuwon, sam Cassell, robert Ory and I can't hear myself.
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I can't hear Mike.
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I'm leading to sound that they fire at the studio.
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I can't hear that.
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This is the worst possible way to start my play-by-play career.
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In addition, now I don't sweat normally in life.
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I start feeling myself like flop sweat and because the headsets are so decrepit and old, the material on the earpiece of the headset is cracking and it's black.
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You know what I'm talking about.
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I'm trying to describe.
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Yeah.
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Your ears are black?
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Yes, and it's like there's a film to it.
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So we get through the pregame.
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I start calling it.
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The game is really fast.
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I'm realizing quickly like oh boy, and I'm just trying to keep up.
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And we get to the first break and Mike says hey, you know you're doing well, just you know lock in.
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And it gets better as the game goes on.
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Halftime hits and I see Mike like clearing some stuff, like because he looked at me and he's, he's doing this, but I don't put two and two together but we finished the game.
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Not memorable by any stretch, but I get through it.
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And now we're flying from there to dallas.
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There's a a storm in texas like the state has never seen.
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What should be an up and down 40 minutes is not.
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We are circling for hours.
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It feels it's like a two-hour ordeal.
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And we're up dropping grown men, nba players are shrieking and I'm just sitting in in my seat.
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What the hell is going on?
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We land, we get to the hotel, I get to my room.
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Finally, I just want to get out of these clothes, sweat, soaked, and I look in the mirror and my ears are caked with this black substance.
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It's in my ear, it's behind my lobe.
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I'm like, oh Mike.
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And finally, the next day I meet Mike for lunch.
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I go dude, why didn't you tell me he goes?
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You were having a rough enough night.
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I don't want to.
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He was entertaining himself.
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Oh, my God.
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The second broadcast was much better.
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The third broadcast was even better than that.
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Did they find the PA?
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No, no PA.
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We don't have PA, that's brilliant.
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So, uh, just to give folks an idea, how many people have you worked with uh play-by-play analysts in your career?
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at this point I think I'm at 171, I believe I got to check the latest numbers.
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I do keep a running list.
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It's funny Bill Raftery and I worked together for so many years and that meant a lot of lunches with him.
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It also meant a lot of beers and a lot of wine and Sambuca.
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And we were at lunch in Milwaukee one day, just me and him.
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And I asked him.
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I said hey, how many partners have you had?
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He goes oh, that's a great question, bird.
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And he takes out the napkin and he's writing on the napkin and he starts writing names down on the napkins.
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He gets about 10 deep and he goes ah, there's too many.
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And he just crumbles up the napkin and he throws it away.
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And it hit me in that moment If I get into a similar situation I'm talking about this is my second year doing it, so it's probably 1996.
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If I get into a similar situation, I'm going to keep a running list, and I have, and it's pretty wild to look back on.
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So I think I'm somewhere in that neighborhood about 171.
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That means a lot of personalities you've got to judge, yeah, and that's what it is Truly.
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Something else that you don't realize that will play a role later in your life is how you connect with other people and the importance of finding common ground and being a good teammate and being a good partner.
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So I can look back on my youth, being put in very unique circumstances based on my parents and what they did for a living, based on their situation, flying cross-country by myself at the age of eight and now having to fend for yourself and being plopped next to some person on the flight and that person chatting with you and having the ability.
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I sat next to a blind man.
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I remember this quite vividly and we spoke for five consecutive hours.
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And we spoke for five consecutive hours.
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I don't know if he had any idea how old I was truly, until the end, when he said how old are you?
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By the way, I said I'm eight.
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I just talked to this kid for five hours.
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And he asked which I probably shouldn't have given, but he was really a nice man.
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He said well, what's your name?
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And I gave him my name and he said you know where do you live?
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And I said Forest Hills.
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I didn't give him my address and he ended up sending a letter to my parents and and it detailed just how impressed he was by someone that could carry say truly interested, and then being interesting in your own right.
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Do you have something to say?
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Do you have a point of view?
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Are you well read?
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Are you learned?
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What else other than sports occupies your time?
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I think it served me well.
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I didn't realize it at the time, but I can look back now and see all of these different experiences that played a role in having that confidence to A do this job and then B do it with others that were at the top of their respective fields as athletes or coaches, and still find a level playing field in which to operate.
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I obviously know you as the voice of the NFL, or one of the voices of the NFL, one of the voices of the NBA, but my particular favorite of yours is as the voice of the NCAA.
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You, to me, have so many great calls from your time calling college basketball, whether it be regular season, but especially the tournament.
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If you had to rank out your favorite times of the year, your favorite sports to call, which would they be?
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The college basketball part of it was very unexpected.
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This was not something that I anticipated in my career and certainly didn't go into this thinking one day that I could do the final four.
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That was not even on my radar.
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To be perfectly frank, I get the job in 1998 in an almost excuse me fashion.
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Cbs was doing the Winter Olympics in Nagano and they needed three play-by-play announcers for that weekend just before the Olympics started, because all of their announcers were in Japan.
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And I got a call and it happened to be all-star weekend in the NBA and I did Vanderbilt at Arkansas on February 7th 1998.
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And nothing of note took place in that game, nothing.
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It was a typical SEC game.
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Arkansas was really good.
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It came down to the wire.
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Arkansas pulled away one by eight or nine points in the end.
00:18:51.612 --> 00:19:09.462
But my agent got a call from Terry Ewert who was taking over as the executive producer of CBS Sports once the Olympics ended and he said I was very impressed with how Ian handled the traffic.
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You don't know, terry Ewert, but that's an excellent impression.
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Was he at NBC?
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I think I may have met him.
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He was.
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He was.
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Yes, terry was at.
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NBC.
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Yes, terry was a very good guy and actually lived not far from me in New Jersey.
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And my agent then calls me and said did you like help get the cars out after the game?
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I said no, I did not.
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I said why.
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He said well, he was very impressed by how you handled the traffic.
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I said yes, the traffic of the broadcast, I think, is what he means, and this is your question.
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Yeah, well, did you?
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fire him Eventually?
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Yes, what do?
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you think I do for a living buddy.
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For a different reason.
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That's probably a whole other podcast in and of itself.
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So I said, great, they end up calling me to see if I was available for a Syracuse-Georgetown game on February 21st.
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I was not.
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I had a net pacer game.
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I had nothing in my deal that let me out of these games.
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I had to turn it down, which was crushing.
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That was a dream, to maybe one day do Syracuse-Georgetown.
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And the woman on the phone, maddie Hetzel, who worked at CBS for many years.
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She said, oh well, that's a shame.
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She said I'll let you know when our tournament seminar is and you'll block out the dates for that.
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I said, okay, I'm thinking she doesn't know.
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She's just saying, because I was maybe supposed to do this game, that I was doing the tournament.
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So I call my agent, the same one that thought I was directing traffic out of the game.