Transcript
WEBVTT
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How far would you go to land your dream job?
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Is music truly the universal language?
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We'll explore the answer to those questions and much more, during this episode of the Career Journey podcast, no Wrong Choices.
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Thank you so much for joining us.
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I'm Larry Samuels, soon to be joined by my co-hosts, Larry Shea and Tushar Saxena.
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A quick ask before we kick off - if you enjoy what you're about to hear, please be sure to like and follow our show.
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This helps us grow and to keep bringing these great journey stories to life.
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Now let's get started.
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This episode features a conversation with the singer, guitarist and harmonica player, Greg Luttrell, who has taken a very unique path towards achieving his dreams of being a professional musician.
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Larry Shea is somebody who's been friends with Greg for years and has seen this journey come together.
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You are certainly the right person to set this up for us.
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Yeah this was a great conversation that we had with Greg about his career journey and how he got to where he is today, which is, in reality, a world stage performer.
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You know, some people are just built for certain things.
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Greg is a built.
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He's built to be an entertainer and, you know, through hell or high water, this is what he was going to do with his life and I couldn't be more proud and I love anytime I get to see this guy perform.
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I'm just I'm on cloud nine.
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So super fun conversation and we're going to hear his journey and how he got there.
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So really excited to share it with everybody.
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First of all, anytime you call yourself a professional harmonica player, it is an unconventional journey to success.
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And that is really true in the case of Greg here.
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I mean, you know many of us want to pursue our career paths and have a very linear way to get there.
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This is not the case with this guy.
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There is a lot going on, you know.
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He's put the work in.
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But the one thing you can say about his path to success maybe he didn't find it here in the States, but he found it more on a global stage and that works for him.
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Might not work for everybody, but it works for him.
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It's unconventional and it's really, really fun.
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Yeah, this really falls into the category of, you know, find what you love and figure out a way to get paid for it, right?
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So he was not going to be denied.
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He was born to be an entertainer and I hope everybody gets to check him out based on this.
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Whether you have to go to China or not.
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Here is Greg Luttrell to tell his own story.
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Now.
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Joining no Wrong Choices is the singer, guitarist and harmonica player, greg Luttrell.
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Greg has the unique distinction of being a blues, soul and classic rock performer who, of all places, is based in Beijing.
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I've never really thought about that before.
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Greg.
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Thank you so much for joining us.
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Thank you so much for having me.
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Greg, this is my buddy, so I'm going to get us going here.
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What's going on, Larry?
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We always say full disclosure.
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This is your full disclosure.
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My guy, my guy, you're going to take the rap for this one.
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Huh, larry.
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I'm going to take the rap for this one, greg.
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No, but I've been looking forward to this for a long time.
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I mean, you know, I even said, can we do this while you're in China?
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Like how could we do this?
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Lucky enough to get a window here, great to talk to you.
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I've always been impressed with what you've done professionally, playing all over the world.
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Really, I mean, let's just be frank about it, so tell everybody.
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Just start off like who's Greg Luttrell?
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What do you do professionally and tell us what you're all about today.
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Wow, who's Greg Luttrell?
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Well, I've been singing and playing R&B and rock and roll and blues for a long, long time and I came up in Detroit and then moved over to Boston, massachusetts, and I was lucky enough to somehow find my way to Lowell, massachusetts, to go to college with the great Larry Shea, don't say that.
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Another music degree.
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You guys know him too well for me to still call him the great huh, greg.
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Every once in a while I got to pull up my music performance degree just to show them.
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Just to show them I actually did get this that he has some sort of credibility that's right.
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That's how they put it up to the flashlight and everything like that.
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Very good don't tempt me pull out the lighter with it too.
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Uh, let me see.
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Let me keep it going, I guess, uh.
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And then, yeah, went to college with larry.
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I've been playing in bands and just, uh, lucky enough to to get the chance to go over to china in 2009 a lot of adventures before then with an original band and just playing rock and roll, all any place where they'd let us set up.
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For a long time, of course, when we were young and, uh, and actually I kind of been teaching as long as at the same time, uh, in a few guitar stores and everything like that, starting out in Lowell same time as I was going to school with Larry, started out at the Music Mall and Tewksbury Music Center, teaching as a private teacher.
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So I've kind of been teaching undercover the whole time and now it's up, long story longer, that I'm over in China and I'm playing with bands quite a bit, but I'm also teaching in an international music or international school, foreign school, but I'm the music teacher, which is a great tool, great time.
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All right.
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So obviously, detroit native means that music's in your blood and I've got to know.
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So then, is that what it was always about when you were a kid?
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Yeah, that motown, feel that motown vibe.
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I wanted to grow up and be a musician.
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There was a lot of a lot of rock and roll going on too and I I dug both sides of it.
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You know the motown stuff was happening, absolutely, but also I was into, you know, the bob seger stuff and mc5, whatever, you know, some of the other detroit music that was going on.
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Detroit's always been a really important us city, I think, for music and continues to be today, although today it's like more with the dj.
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You know it's not really my particular vibe, but all the guys I know that are really into the big edm scene are telling me I say I'm from detroit.
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Oh, you know, do you know?
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It's very influential catch still to this day, but more on the dj side.
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But of course with analog music detroit's always been an important city in the usa.
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So hope I'm doing it a little bit adjusted to the music that I'm playing and the shows that I did well, I've seen enough clips to that that I can say you are at least.
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I enjoy it.
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Thank you, I appreciate it.
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When did you start playing?
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I started to play when I was maybe seven or eight.
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My dad bought me a guitar, but I didn't really take to it.
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I was like my lessons were on Saturday mornings and that was when the cartoons were on and I was like I don't think this is going to work out.
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So I picked it back up when I was about 12.
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But yeah, I could have started about four years earlier, but I couldn't get in the way of Bugs Bunny.
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You know I describe you as a natural performer, you know, just because that's all I've ever known you to be, but I know it's in your blood too, you know.
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So I want you to talk a little bit about your grandfather in Detroit and how he influenced your music and your dad.
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Just the entertainment that he provided in the Massachusetts area, because he was an entertainer as well, was he not?
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In a way, you know, he was like a news guy.
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You know he was a field reporter and he was absolutely an entertainer in the way that he was on TV.
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He was a personality, but he was, you know, more of a news guy and he had a talk show as well when we were in Detroit.
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Actually he had, he had a.
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He had a talk show as well when we were in detroit.
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Actually he had one in boston as well, uh, but yeah, my grandfather had a long history of.
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He was a dj from wjld in detroit for many, many years and he was one of the first guys to kind of incorporate rap into his vibe.
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He used to always rhyme his words.
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He's ernie durham was his name, a frantic ernie d and he was like the afternoon drive guy.
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He was really big in detroit, really really big, and uh, he's still, you know he's in the detroit radio hall of fame and all this stuff and uh.
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But he was very influential.
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And then he happened to own a club club we'd be part owner, part owner of.
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Uh, if you've seen the movie with the, the motown guys um standing in the shadows.
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You know they um standing in the shadows.
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You know they.
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They.
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They're standing on the grounds of where the hundred grand was.
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He was one of the guys that was involved with that.
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So he was very influential to me in the way that I I kind of knew what he was doing.
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Um, and he was he used to.
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You know, he used to.
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He used to work for.
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He used to work for Casablanca Records back when Kiss and Parliament were the two biggest bands.
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So after the club would close he would come by the house in Detroit and he would put record albums of course record albums in between the front door and the screen door.
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So in the morning I would go out to run out to play and boom, here comes Kiss Records, funkadelic Records, parliament Records.
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So from that and then I would go march right back inside.
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I'd never even go outside.
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My mother would be like get outside, I'd go play outside.
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I'm listening to Kiss and Funkadelic, you know, because they were the two big bands on that label.
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So what would you say were your influences then growing up?
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In terms of your music influences, would you say you grew up more of a rock guy, you grew more of a motown guy, an r&b guy I was like a rock and roll guy but I liked, I've always liked, all kinds of music.
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You know, once, once I was like 14 and I started getting into deep purple, uh, and then I had read that richie blackmore, obviously, and you could hear by his solos and his ideas that he drew a lot from classical music.
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But when I saw him read him at that time, read his interview, and they said how influenced by classical, so I wanted to go listen to all the classical music that he listened to and so I've always listened to a lot of kinds of music.
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But for my early years of rock and roll guitars 15 to 18, I was definitely a metal guy, hard rock guy.
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You know some blues, I like blues, hendrix, sabbath, yeah, that kind of stuff, the classics, rainbow, michael.
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Shanker yes, so how did you learn?
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I mean, you started young, but what is that process?
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You know who gave you your first guitar and what happened after that.
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And how do you go about getting good and getting this good?
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You know what?
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That's actually kind of a cool story.
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I've had many, many wonderful teachers over the years, many really cool teachers, insightful and patient and good connections, you know.
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But I'll tell you the funny story about my very first guitar teacher, my second guitar teacher when I restarted, restarted guitar age of like 12, right.
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So this lady, she's a really cool, like hippie.
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She was a hippie lady, really curly, frizzy hair, was silver.
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She's an older lady and she was teaching like a group guitar class.
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So I think it was cheap because my parents, like I didn't do it the first time, so we're not gonna pay a lot of money.
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So I think it was cheap because my parents were like, well, you didn't do it the first time, so we're not going to pay a lot of money to start a talk around.
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So they put me in a group class and this lady, she comes in.
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She's got these big glasses on, this big hat, you know.
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She's got a vest on and she's got like remember people used to wear pins, remember the pins with their band?
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She's got a Rush pin and Led Zeppelin in all these bands, you know.
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But she's like your grandmother for sure.
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You know what I mean.
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So she comes in and she starts she plays like a couple of like I'm 12, you know, she plays a couple of pretty impressive licks.
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It's like Ooh, oh, that was cool.
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And so the first thing she taught us was fly by night, by rush, and so that's how we started it out, and I was like I think she was just had such great energy, you know what I mean.
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I'm like this is cool man.
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So she got me back on track.
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And once she got you on track, I mean was I mean because you're living the dream man, you're a musician performing for a living?
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I mean, was that the dream when you were that age?
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Ah, you know, at that time I think I still wanted to be a professional baseball player too, but I hadn't figured out that I wasn't good enough yet, like the rest of us.
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That was part of the dream.
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I always had a special thing for music.
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Ever since I was a very young kid, I always had a very special feeling, like a lot of people, for music.
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I guess I was a lot of a ham, so I wanted to perform.
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So then in school, that was the goal at that point.
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Were you a good student, or was it all?
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Or was everything then just poured into your music, whether it be band classes and theory classes?
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I was kind of lazy.
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You did not care about the rest of it.
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I was kind of lazy.
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I did well in the classes that were easy for me, like English and stuff, and then I kind of struggled in science.
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But I was like most of it came a little bit easy to me.
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So I can't say I was a good student.
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But I got good enough grades usually not to get in trouble too much trouble.
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Is high school when the first band came along.
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Actually I had a band in the seventh grade and I wrote an original song and our choir teacher, mr Jim Smella, who's a really wonderful man, he really he wrote down all the I mean we could barely play in an album like 12, you know.
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But I had written a little song, he wrote out all the parts.
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We learned them, we performed it at an assembly in the seventh grade, you know, and it was like a big deal at the time, whatever.
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But you know, kind of gave me some encouragement, you encouragement, but he was a big, big, huge help.
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He went way out of his way to help us and it was really big.
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Were your parents supportive?
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Were they always like hey, whatever you want, greg, as far as the lessons and stuff?
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Yeah, they always paid for the lessons and stuff like that.
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I know my dad wasn't real excited about rock and roll as a choice, I'm sure Until I got wasn't real excited about rock and roll as a choice until I got a little bit you know more successful.
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Did he know you?
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wanted to do it for a living.
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Uh, he did, and he wasn't psyched about it.
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But once, you know, once he realized I wasn't going to give up, do it for a living.
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I mean, did you know you wanted to do it for a living at that point?
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I was trying to see if it was possible.
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You know what I mean because you know, for a long time I had little temp jobs and side jobs and I was doing it at the same time.
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But of course I wanted to make all my money doing music, you know, and just you know, doing little different combinations of shows and trying to make it happen.
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Now, when did you move to Massachusetts?
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When did that happen.
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I moved to Massachusetts in like just after my junior year of high school, okay, and so I did senior year here in Boston and then went to a little bit of college.
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Was that tough?
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Was that tough making the move from Detroit to Massachusetts?
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It was a little bit weird, but it wasn't.
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I wouldn't say it was that tough because I met some people right away.
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I still got a lot of good friends from my Wellesley days, which was only one year of school.
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Got a lot of good friends from my wellesley days, which was only one year of school.
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A lot of good friends and I still hang out.
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So I gotta say I kind of fell into it pretty easy.
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You know, I I like people, you know what I mean.
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So I feel like I yeah, you're a people, person so when you got out there, did you get into a band?
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When you got into massachusetts?
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I'm curious about the high school performing greg latrell we did have a band, but we didn't.
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We didn't really.
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I wasn't really like slamming with a band.
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I I was kind of the brakes got put on that we were playing guitar like we were just playing guitar down in the basement, you know what I mean doing that, the high school thing cruising around.
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We were developing our taste in rock and roll, but we weren't gigging.
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I had a couple bands actually though senior year One of them we were doing some Rush and some Maiden and some Priest.
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Yeah, I actually come to think of it, we had a few bands going on, but it wasn't voracious.
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We played at the high school and we know.
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See, that was why.
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That's why I say we didn't really have a band.
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We, we jammed and there were cool jams and I was playing with good guys Glenn hell, regal on bass, rob McEachern on drums, rich Smith, you know, yeah, I was playing with some good guys, for sure, but uh, we weren't doing gigs in the springtime.
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We did one gig and that was a different band, uh, at the, at the, at the auditorium at the high school, but it wasn't like a big deal yeah, so was college really the place where, when you met larry shea, obviously, and everything changed, everything changed, everything changed.
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It seemed to take off right from there.
00:16:05.590 --> 00:16:10.855
That's where it all happened, that's where the magic kicks in, right there, your whole life changes?
00:16:10.855 --> 00:16:12.758
I don't know where I'd be without Larry Shea.
00:16:13.870 --> 00:16:16.792
Your whole life changes, so much you say, I have to get the hell out of.
00:16:16.792 --> 00:16:17.972
America no.
00:16:18.092 --> 00:16:19.914
What do I put up with this?
00:16:19.914 --> 00:16:20.475
I do.
00:16:20.475 --> 00:16:27.903
I would not want to have not known Larry Shea, though I'll tell you that he's my deep brother.
00:16:27.903 --> 00:16:29.385
No doubt about that.
00:16:32.499 --> 00:16:33.610
We've had so many good times, buddy.
00:16:33.610 --> 00:16:35.193
Let's talk about Lowell, though.
00:16:35.193 --> 00:16:47.133
Lowell's a good jumping off point, I guess jumping off the bridge right, we could tell them about the jumping off the bridge story.
00:16:47.153 --> 00:16:58.326
I think the statute of limitations on that one might have run out, so I hope so I hope so, but greg, no, to be fair, to be honest, you know you were a couple years ahead of me um, I think two, two years ahead of me.
00:16:58.326 --> 00:17:04.393
So you know you were at lowell causing a lot of damage before I even got there.
00:17:04.393 --> 00:17:06.775
Let's be real about what it is.
00:17:06.775 --> 00:17:15.799
I was telling these guys about dime slot and mattresses and putting fish in between mattresses and box springs and the shenanigans that you used to be up to.
00:17:15.799 --> 00:17:18.862
But do you remember jumping in the canal?
00:17:18.862 --> 00:17:20.442
I absolutely remember that one.
00:17:20.463 --> 00:17:21.864
Yeah, that was a crazy one.
00:17:23.025 --> 00:17:25.707
I don't know if you want to tell the whole story, but I can set it up for you.
00:17:25.707 --> 00:17:26.567
You can set it up.
00:17:26.567 --> 00:17:30.519
You can set it up Because we have a mutual friend, ray Big tough, ray Clough.
00:17:31.132 --> 00:17:31.574
Rough tough Ray.
00:17:31.594 --> 00:17:36.336
Clough A bunch of months ago and I had completely forgotten the story.
00:17:36.336 --> 00:17:38.313
I said, ray, what do you remember about college?
00:17:38.313 --> 00:17:41.578
I don't know if you guys are like this too, but college you forget so much.
00:17:41.578 --> 00:17:44.845
There's a reason, for good reason.