Transcript
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Hello and welcome to no Wrong Choices, where we explore the career journeys of accomplished and inspiring people to showcase pathways to success.
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I'm Larry Samuels, soon to be joined by the other fellows, tushar Saxena and Larry Shea.
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For those who might be joining us for the first time and for those who haven't done this yet, please support no Wrong Choices by following us on your podcasting platform of choice and by giving us a five star rating.
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We also encourage you to join the conversation by connecting with us on LinkedIn, facebook, instagram, youtube and X, by searching for no Wrong Choices or by visiting our website at NoWrongChoicescom.
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This episode features Todd Erlich, who is the executive producer of sports for WPIX 11 in New York, the president and executive producer of T-Line TV, the author of a new book titled the Twenty Greatest Moments in New York Sports History, and the person who is directly or indirectly responsible for bringing Tushar into our lives.
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So with that, tushar, I believe you are the appropriate person to set up this conversation for us.
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Well, I thank you, mr Samuels.
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Well, yeah, absolutely yes.
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When I started, when I got into this career more than three decades ago, there's got to be one person who starts it all.
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So whenever my parents, whenever my parents have been in the past and why did you want to do this?
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I said, hey, speak to Todd Erlich.
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You can blame him.
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He's responsible for this.
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Look, we've talked a lot on this podcast about how mentors need mentors, and this is my original mentor.
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I've had many throughout my career, but this was the number one guy and I still go to him to this very day, every now and then, if I have a question about something, or just I need his opinion about the business and how my career should move forward.
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He's one of the most giving guys I've ever met.
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He is directly responsible for my career as it is, and I can never repay him for the, for the graciousness that he showed me early on in my career.
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I think you'll love listening to Todd Erlich.
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He's got some great stories.
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He's a great storyteller.
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He was always a great storyteller, funny as hell and just one of the most caring guys in the business, and he's got so much knowledge to offer.
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Todd Erlich is one of the best.
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I mean, it's worth the price of admission just to listen to one of two Shars mentors, is it not?
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It could be a roast, exactly.
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They're hoping for some goods on this one, no doubt.
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But what a.
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What an industry professional.
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We did have him back on the old show back in the day, so I remember that conversation as well.
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He's a fascinating character.
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Like you said, t, he is a great storyteller and that's what we aim to do here is to tell a career journey in a, in an anecdotal way, in a fun way.
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So I think Todd's about to knock it out of the park.
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Absolutely, and for me there's so many different angles to take, but a unique one.
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We don't haven't had an author on this program before, so it's going to be interesting to hear how somebody writes a book.
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So with that, here is Todd Erlich.
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Now joining.
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No wrong choices is the president and executive producer of T-Line TV, the executive producer of sports for WPIX in New York, a four time Emmy award winner and author of the new book titled the 20 greatest memory moments in New York sports history Todd Erlich.
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Todd, thank you so much for joining us.
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Five, five, five.
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You've got to update your website.
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You need to update your website.
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It says it on the website.
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That's where.
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I got it.
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That's where I got it.
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Can we make a dinner bet?
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I believe you, ladies, and gentlemen, when everyone is going to T-LineTVcom.
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We're available for hire.
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Check out whether it's four or five.
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If it's five, I want you guys to listen to the next three.
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No wrong choices.
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Fair enough, fair enough.
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And I will admit my mistake.
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I remember 20 nominations, four wins and 35 years, 22 nominations.
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I'm telling you whatever I read needs to be updated 22,.
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I heard each and every one of them there.
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That worked hard.
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Two phrase me from a puck.
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Oh, please, all right.
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So full disclosure to everybody out there when we talk a lot about mentors on this show, mentors need mentors.
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So for me, this is a real pleasure to talk to you, todd, because you were really the very first mentor I ever had in the business.
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This is the guy who got me started in media and in sports media, so it was my very first internship and he actually helped me get my next internship, my next last internship and then my first job technically at WFAN.
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So, todd, I owe a lot of my career to you.
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I've been in the business now for 30 years at this point, so that all goes to you.
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So first of all, let me say thank you for everything that you've done for me.
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Absolutely.
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It's my pleasure to show.
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One of the things I take the most pride and pleasure in is helping other people, and we're very, very lucky in our industry to have the opportunity on both sides.
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And I was just talking to one of my mentors today and we were talking about how we never forget the people that helped us.
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And I'm not sure that it's as prevalent with people of the next generation, I've noticed, but for people of my generation I guess, going back to you, it is the most important thing because none of us make it alone.
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All of us need somebody to take a chance.
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When I came out of college, I quoted Joseph Heller's text 22.
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I said how do you get your first job without having your first job?
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And then I would say you are going to be the answer to that question to 600 people.
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But I said the same letter to you know, take a chance on me, you can be a trivia question.
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And the truth is, you know I like you for the internship route.
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I had an internship at WRC with the George Michael sports machine, wjla, with the great Frank Herzog who called Redskin Games, fox 5 in DC, with the great Steve Buckhans who called Wizards Games, and I ran out of stations in DC and I drove every night to Baltimore to work for Bjorn at WBZ Of course.
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I worked here at WABC for Corey McFerrin and then he later hired me and then I hired you.
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So that internship, you know, led to me getting my first job, which led to you getting your first internship, your second and then this career that you've had.
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So it's people helping people and anybody that's listening to this.
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You can't make any wrong choices, but make the next right choice and help somebody.
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Absolutely, absolutely.
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Now obviously you kind of broke down a little bit about what your career looked like, but before we talk about you know how you got started on this path.
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You know we were kind of talking before we all started here about what you're currently doing.
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Now, obviously, you are an Emmy Award, multiple Emmy Award winning sports producer, right Larry Five Five.
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The man has five Emmy Awards Five.
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Two nominations.
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The man has all these trophies on his mantle place.
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He wouldn't believe it.
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And now he has got a book out.
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The book is called the 20 Greatest Moments in New York Sports History.
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I've had the chance to read not all of it, but a good portion of it, and I got to tell you it's a great read and I want to know, like, what was the impetus behind the book?
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So it's a great question.
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So the impetus behind the book is an interesting story.
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Possibly you guys be the judge of it, but I'll spit it out and I give me a thumbs up, thumbs down.
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So here's what happened.
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I was either blessed or cursed by having a grandfather who wrote close to 20 books.
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My mom wrote over 15 books, my sister all writes for the Times and is a published author.
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So and I'm charming, you know what I mean, you know.
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So you definitely are charming.
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Yes, so I always said to myself I want to write a book.
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So I tried to think of all different ways.
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I read screenplays and all these interesting stories and I read, like Spike Lee's screenplay, Like maybe I could do that because it comes in book form, you know.
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And then I thought to myself but what I really know is sports.
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Now, 2003, two things happened.
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I read Survey's book on LT because we were interviewing LT for sports with a round table Steve Survey, you're talking about yeah, Steve.
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Survey, the great, legendary Steve Survey, with the greatest mullet in the history of sports writing, number one.
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That's tough, that's a big statement Larry, it's hands down, I'm going off the wall with that one.
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So Survey wrote a book and I was just so inspired by how great it was.
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Then my dad we were running late, he's dropping me off at the train station and I got like minutes to make the train but I had nothing to read.
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So I go running into the bookstore in the train station.
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I grabbed two football books.
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By the color of the books I put down my credit card jamming and go running to the train and just make it sit down.
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Then I look at the titles and it dawned on me guys, sports is hyper local.
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You only care about your teams.
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Now I've got great national stories, even though it's in your sports book that I think everybody's interested in.
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But primarily you live, breathe and die with your teams.
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So that started ruminating in my coconut and I said to myself well, wait a second.
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I got the makings of a book.
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I've been in town now for 20 years covering sports.
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I grew up watching sports and I've got the numbers of all of these guys that covered it, coached it, called it and played it.
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I got the makings of a good book and I very humbly consider myself an excellent interviewer.
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I'm on the other side now and I tell everybody the key to interviewing what's Letterman and Leno?
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Now you see how old I am.
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Leno could have few grant on talking about his indiscretions.
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He will read the next question about his movie, the next question about the star that he was with.
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Letterman has his questions, does his research, but if he hears something interesting he pivots.
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That will make some great.
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I'm not saying I'm great, I'm just saying that I learned that.
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So I feel like I'm a very good interviewer.
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So I said to myself how do I put this all together?
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So I said hyper local 20 grace moments in New York sports history.
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And then try to make it unique, try to come up with exclusive stories, try to use my interviewing techniques to do that and my contacts to do that.
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But in this book I came up with over 100 interviews and I was told afterwards that most authors lift from newspapers or magazines and put in quotes.
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I didn't do that.
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Almost all of the interviews are mine, but over 100 are my personal interviews where I got these people in person or on the phone and I feel like that makes the book unique.
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And that's answer your question to because I do listen.
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How did I start the book?
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I started with hyper local.
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I started with what's low hanging fruit?
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What can I do?
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What?
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What do I have a knowledge base on?
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And then what can I do to make something special?
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And so that's how I came up with this book.
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I'm sure we'll talk a lot more about the book, but I want to get you back to.
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You said you always wanted to write a book.
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Is that the original dream?
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Is that what you wanted to start with?
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Is that what you want to do?
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Was it always sports?
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Was it always what was it?
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Give me the dream of, I don't know, 10 year old Todd Erlich.
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So it's an excellent question, and I don't know if you guys have had any authors on this podcast, but it's the single hardest thing I've ever done in the history of myself and this planet.
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In December 8th It'll be 60 years, or the seventh, I guess.
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So, yeah, so it's a lot of projects, a lot of time that I've spent and this is by far the hardest.
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So no, it wasn't my dream, it was something that was on the bucket list.
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It's something that no-transcript.
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You know.
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To be serious, my brother went to Columbia and NYU Law School.
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He gets a genius.
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My mom was a Ford scholar.
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The woman's a genius and has her DSW, which is a doctorate of social work, so she's a genius.
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My grandfather had five chairs and I said, grandpa, one more.
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You have a dining room set from universities around the country and my dad's charming and a sports fan.
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And guess, who I picked after that's okay.
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Well, but I felt like just to be candid and honest.
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I wanted to prove something to my family that you know.
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I feel I'm lucky, I feel I've been successful.
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I'm in my career.
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I blazed my own path.
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I didn't take the offer of big money, my stepfather's insurance agency to blaze my own path and I'm very proud of myself.
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But writing a book is.
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It's a real thing.
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It's an accomplishment.
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Now I want to get you know into the journey that brought you to this point.
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But my last question about the book, or I guess also my first question about the book, you know, when you talk about doing a hundred interviews, did anybody not make the book or not make the cut?
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No, were you out of your mind?
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You know it takes to crack these guys down, set up a time.
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I must have called poor Mark Messier six or seven times.
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I called him before he went on vacation.
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He told me when to call him again.
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I called him again.
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He said I say he was like in the Bahamas because I say an extra day.
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Todd, will you call me tomorrow?
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I called tomorrow he goes.
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My flight was delayed.
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I'm in the airport.
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Can you call me tomorrow?
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I said, mark, can you call me?
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If I call you one more time, I'm like.
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You're like the hot girl I chased in high school.
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Like I feel terrible calling you again.
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You know, and I mean, you know, mark's been great to me my entire career, but no, and then you have to research everyone you're going to interview.
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Yeah, because when you get them, you only got them for five, 10 minutes, whatever it is, and you've got to go and if they call you back you have to have the tape recorder and your questions.
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I used to carry around questions in my pocket.
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Justin Kase.
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My paper for a year and a half.
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Okay, somebody?
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called me Wow.
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Because I mean you're not.
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Hey, gravy, I'm appreciate you gave back to me, but I hate you back and, like you know an hour when I got it no, dude, it's like I got, I sit on a park bench and let's go.
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Yeah, of course, this is a good time, but then after you.
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So, first of all, you have to do a lot of prep.
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Second of all, you got to know what are you filling in, what are the gaps in the chapters that you need interviews on?
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Where are you putting them?
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Third of all, you need to then write the questions, but you need to know the answers you need Because, as you guys know, whenever you're going athletes, sometimes you have to ask and then re-ask and then ask from around, this way that I was in order to get a real answer, and then you got to transcribe it, and then you got to place it in the book.
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So, no, larry, nothing Not a syllable.
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There's other cutting room floor.
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So no, I definitely not, and I'm very, I'm very proud of it.
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I mean, obviously we had to shorten a lot of them and all of that kind of stuff for sure, and not use all of the interviews.
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And I targeted 100 people and my editor, my mom, gary Myers, my wife, my son, who kept saying daddy's always up in his office, I kept saying enough with the book.
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You've done 50 interviews.
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Who does five?
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Who does 10?
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50 is enough.
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And I said you don't understand.
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I have 20 chapters.
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I need at least one marquee person per chapter, at least one, I really want at least two.
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And then you've got to work your way through because, like I said, you really have got to study it.
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So when you're doing two shes the chapters that are on the helmet, catch retiree, that you like the most.
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You need to know who else are you asking, who's answered what, who hasn't answered what, and so you're in a groove on that.
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Now, if somebody else calls me back, jeff Nelson, I got to pivot and I have to have all those questions ready.
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But if I can do them which I did, sort of multitasking, but chapter by chapter, I thought it made for a more cohesive full book.
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So that's the way in which I tried to go about it.
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It was brutal.
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I'm not going to lie.
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All right.
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So obviously it's the 20 greatest moments in New York's sports history and, let's be honest, there are far more than just 20 great moments.
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So is that how you kind of broke the book down to begin with, like, okay, I have 100 great moments and from those 100, I have to break it down to 50.
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And from that I have to break it down to 20.
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And like, what was that process?
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So here's the way the process worked.
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So I partnered with Serbe.
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We used his agent who sold the LT book, and he said to me you need to write a sample chapter and you've got to come up with all 20 chapters and then you've got to give sort of you know, how do we trust that you actually know these people who can take these interviews and execute the book?
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So I had to put together 40 pages or some, such as a pitch book for him to go out and sell.
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So that's how I had the 20.
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Now they couldn't sell it.
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What are you going to do?
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I figured I've got a New York Times bestselling author.